During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
Dave Stimple, an unfocused mattress store owner, is having issues connecting with everyone around him. He arrives at the shop one morning to find the local health and safety people have shut him down. Bugs, huge bed bugs and lots of complaints are cited as the reason. Dave is really confused and his relationships with his wife, friends, and his own humanity seem to be devolving and increasingly distracting anomalies begin to take over his reality. But his issues may not be as internal as they seem.
When everything comes crashing down, two destructive siblings are trying to maintain a balanced psyche.
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
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《水族魂1944》电影取(qǔ )材于上(👽)世(shì(💧) )纪(🔺)40年代(❗)抗日战争(zhēng )日本投降前夕，发(fā )生在贵(🔚)州(zhō(🌖)u )三(💫)都水(🥪)(shuǐ )族自治县(xiàn )九阡镇的(de )真实历(👰)(lì )史(shǐ(〽) )事件(🌪)。编剧多(🉐)次(cì )实地采风(fēng )走访，在走访了(🤴)(le )当(🥊)年亲(🎣)历者(🕉)和掌(zhǎ(🔪)ng )握(wò )大量的史实资料(liào )后，通过(🏼)(guò )写实(🏓)的手(🌐)法再现(📲)(xiàn )了当年水族人民英(yīng )勇抗击(🤤)日本侵(🔓)略(luè(🕛) )者的故(💺)事(shì )，体现了中国人(rén )民抗击侵(🍠)略者(📓)的(🎅)决(jué(🏰) )心，谱写(xiě )了一曲(qǔ )贵州少数(shù )民族人(🐫)民抗(💖)击(🚡)日(rì(🌞) )本侵略者的英雄赞(zàn )歌！《水(shuǐ )族(🔺)魂1944》这部(⚓)电影(😸)(yǐng )在抗(🔫)日战(zhàn )争爆发(fā )80余(yú )年后的今(📃)天(🤬)推出(🧞)(chū )，其(🌗)真正(zhè(🔟)ng )意义于中华民族(zú )抗战有益，更(👳)是(shì )贵(🙁)(guì )州(🐏)抗战历(🐤)史上不(bú )可磨灭，是光辉灿烂，浓(🐃)(nóng )墨重(💩)彩的(🐳)一笔，对(duì )贵州少数民族抗(kàng )战的肯定(🤸)(dìng )和(👇)宣(🍴)扬有(♒)着重要(yào )的作用。
四名大学(xué )生在暑假(🚆)(jiǎ )进(🎬)行(🛋)社(shè(⤴) )会实践，到偏远的村庄拍(pāi )摄纪(🚘)录片，调(💏)查民(🚤)(mín )间鬼(😐)怪文(wén )化。
雷(léi )切尔和男(nán )朋友(🧑)分(🧚)手(shǒ(🍃)u )了回(🙄)到(dào )家(⚡)(jiā )中发现室友把她(tā )的床卖了(🧣)(le )，于是她(🚈)们俩(🔃)只(zhī )能(🎳)睡在一张床上(shàng )，在某个不可描(🍴)述(shù )的(🙄)夜晚(🐩)个(gè )夜晚，她两之间(jiān )发生了一些事情(🥤)，蕾切(👐)尔(🏔)动了(🎇)真情(qíng )，而室友(yǒu )却觉得她太黏人(rén )，两(🥖)个人(🔖)的(🔆)友谊(⛓)因(yīn )同床共枕(zhěn )，而发(fā )生了微(🗨)妙(👩)(miào )的(🗳)变化(🗜)。@橘里橘(📔)(jú )气译制组
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本片(pià(🐬)n )撷取(❣)了发(fā(🏻) )生在中国北方小(xiǎo )城镇中一(yī(😬) )个中国(🎰)(guó )青(🐩)(qīng )年出狱后的一段(duàn )人生经历(lì )，讲述(➖)了一(😴)个(🐞)小(xiǎ(🚶)o )人物在商品经济的(de )大潮中与时代的(de )隔(👣)离，以(🚘)(yǐ )及人(🍭)们对金钱的(de )崇尚和理想、道德(💼)(dé(👧) )的流(😈)失，对(💬)社会(huì(🌓) )与人性作(zuò )出了深度拷问。尤其(🖱)是本片(🐶)以中(💇)国(guó )农(⏹)历冬季(jì )的四个(gè )节气作为(wé(📮)i )篇章，具(🗨)(jù )有(⚡)强烈(liè(⭐) )的(de )中国文化符号视(shì )觉。
