米高(👻)梅(méi )
米高(👻)梅(méi )和华纳兄弟(dì )公司有(yǒu )意重启(qǐ )1994年的经典科幻电影《星(xīng )际之门》(Stargate)，由著名(míng )导演罗(luó )兰·艾默里奇(Roland Emmerich)来执导。重启之后的(de )《星际(jì )之门》将拍摄成三部曲(qǔ )形式。
80年代，老村(cū(🛁)n )长为(💔)了(le )女(🤸)儿上(❄)(shàng )学(👡)读书(🖋)，努力赚(zuàn )钱养(📯)家·(😵)··(🍚)
What happens when two gay men in a disintegrating relationship leave the big city to spend some time alone, together in nature? Is it possible for nature to reveal the truth, their true essence and help them to change? Can these two wounded men; traumatised, hurt, lost and desperate on a remote beach find a way back to innocence? Is there a way back to reality, back to love? Their relationship was formed against fear and loneliness. They fell in love, but they can't handle love. They've both made mistakes, poisoning their relationship through secrets and lies. They suffer when together, but they can't be apart. Life in the big city hasn't been letting them breathe, think or feel - creating constant and never-ending problems. Are they both ready for the next step?
Esben fakes his own death, so he can flee WWI and return to his beloved wife Kirstine and son Karl after 3 years. But everything has changed in his absence. A charming German Officer, Gerhard, has replaced his role as the father, and is trying hard to win Kirstines heart. From his hideout, Esben becomes a witness to a true nightmare and he must fight for love, survival and to save his family
Milan Maric将饰(🌴)(shì )演(🐼)前苏(🦒)(sū )联(🤖)著名(💦)讽刺(🥪)作家(🗣)谢尔(💌)盖(gà(⬛)i )·多(🚧)甫拉(♌)托(tuō(🤟) )夫。影(🏜)(yǐng )片(⚪)聚焦(😠)(jiāo )多甫拉托夫生命中的短(duǎn )短六天，呈(chéng )现了70年(nián )代苏维(wéi )埃的政治酷寒和动荡。多甫拉托夫(fū )将为了(le )捍卫自(zì )己的天赋和独立(lì )而战，而他的艺术(shù )家朋友(yǒu )们却纷(fē(㊙)n )纷离(🏔)他而(🔻)去。唯(🌇)(wéi )一(💌)和他(➕)站在(⛱)一起的(de )人是他(⚽)(tā )的(🥟)朋友(🌡)约瑟(🍇)夫—(🏩)—后(🦏)来(lá(🕴)i )的诺(⛏)贝尔(💏)文(wé(🔴)n )学奖(🖱)得(dé(⏱) )主约(🍱)瑟(sè(🕕) )夫·(🈴)布罗(🚽)茨基(🥏)。
A detective whose own son was abducted struggles with weird experiences and missing kids in NW Montana.
Ann is consumed by the fantasy of finding true love. Just when she thinks she's found it, she is friend-zoned. The disappointment of rejection sends her into an obsessive downward spiral that tests the limits of her sanity and the strength of her closest friendship. In order to reclaim her bearings on reality, she confronts her overgrown fantasies by making a film about the experience. The result is a vulnerable, hilarious, and vibrantly stylized investigation of love.@
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