On a remote is&
On a remote island off the west coast of Scotland in 1846 a heavy storm hits, causing a ship to sink. Three survivors row through a thick early morning mist, lost and disorientated. The mist begins to clear and The Isle appears before them. They soon discover that it is almost abandoned except for four sole residents: an old harbour man, a farmer, his niece and a young mad woman. Once rested and recovered the sailors are desperate to leave and return to the mainland, but the promised boat never appears. One of them starts to investigate and learns of a tragedy at sea that occurred five years previously causing several young men from the island to perish. When his two shipmates meet with accidents, the myth of a ghostly siren haunting the island leads him to uncover the truth whilst he battles to save his own life.
An elderly woman, a war veteran, recalls her experiences as a member of the all-female bombing squad nicknamed 'Nachtexen' (Night Witches) during World War II
中年建(🕥)築(🤽)師(💩)(shī(🕡) )遇(🚑)上(👆)人(🏡)生(🐶)瓶頸，在家(jiā )被老婆嫌(🕒)棄(🔧)(qì(👝) )，公(⏰)司(🚁)小(xiǎo )開兔死狗烹(pēng )。失業的(de )他在(zài )曼谷街(jiē )頭驀然回首，瞥見大象Pop Aye，憶起歡快(kuài )的童年時光，毅然買(mǎ(🥨)i )下(⏲)大(🛹)象(🍤)，卻(🍂)(què(📑) )發(🦅)現(🌗)都(🧕)市(shì )生活(huó )容不下(xià(⚽) )他(🚴)倆(🏦)，打(🥞)算和(hé )老象一路向北返鄉。這趟人與象的公路之(zhī )旅，途中狀(zhuàng )況不斷，所幸(xìng )萬能的(de )象鼻領著(zhe )他倆(liǎ(💝)ng )，與(🍒)沿(👈)路(🥌)風(🐀)景(🌹)相(🎢)伴(🦏)。《爸媽不在家》導演(yǎn )陳(⛑)哲(😹)藝(🤹)監(😅)製(zhì )，阿比查(chá )邦御(yù )用剪接(jiē )操刀，看(kàn )擅長(zhǎng )冷幽默(mò )的才女導演陳(chén )敬音，用象鼻對抗中(zhōng )年危(🍗)機(🈴)！將(👔)泰(🤼)國(🌊)鄉(🥛)下(🆖)(xià(🚥) )的荒涼風景(jǐng )，轉變成(ché(🏮)ng )一(😧)首(🌄)(shǒ(🍲)u )洋溢著(zhe )淡淡霓虹光芒(máng )的自我蛻變之歌。
星(xīng )宇保全接手了一次特(tè )殊的保护任(rèn )务，保护(hù )对象(xià(🕦)ng )竟(🛠)然(😴)是(😕)(shì(🧕) )岛(🧝)上(🕘)56只(💡)猴(hóu )。立(lì )夏在任务中(📭)与(🤤)失(😠)散(😐)多(duō )年的师姐韩英重逢，却不知这场(chǎng )重逢给她(tā )带来(lái )了人生(shēng )深刻的一(yī )场信(xìn )任危机。
A shell shocked war veteran returns from Iraq to Detroit and finds the American Dream in ruins. Jim vanBebber is coming home - to war.
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.
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