80年代(🏏)末期，生活在宁80年代(🏏)末期，生活在宁(☔)夏(xià )矿区(🙁)(qū )的小(xiǎo )两口(🚉)陈志平（张(🎦)(zhā(🎲)ng )多饰(shì )）和(🙌)周淑萍（卢珊饰）过着(🚊)(zhe )平凡(fán )又安(ā(😩)n )宁的生活。但(⬅)嗜(📽)(shì )赌如(rú )命(🤐)的大伯哥（杜旭东饰）(🎻)被(bèi )人追(zhuī(💸) )债(✊)追(zhuī )到家里(🏍)，紧接着(zhe )父亲(qī(🏸)n )（郭九龙(⏪)饰）被气死、(💒)母亲(qīn )（刘(💲)(liú(💾) )爱玲饰）被(🍲)逼疯、就(jiù )连陈(chén )志平(🎉)也在矿上受(👖)伤(📉)，加(jiā )上早(zǎ(🔃)o )年就(jiù )因车祸(💋)下身瘫痪(🤫)(huàn )的弟(dì )弟陈(🔖)(chén )志军，一家(🏔)人(⛷)全体陷入(rù(🥁) )困境(jìng )，只(zhī )有周淑萍一(🛰)个女(nǚ )人担(dā(🔹)n )负起了拯救(🕌)家庭的重任...
林(🏅)可(kě )馨，杂志(zhì )社白领，正(🗳)打算(suàn )从繁(🈲)(fá(🍱)n )忙工作中回(🚤)归家庭生活之(🔷)时(shí )，却(què(🐳) )遭遇(yù )婚姻与(🥤)事业双重(chó(🚇)ng )麻(🐌)烦(fán )，丈夫与(📿)其他女性的暧昧、上司(🤲)(sī )的自由观(🚇)灌(🕘)输、暖男(ná(🕶)n )作家(jiā )秦皓的(📭)闯入，稳定(🚃)的生(shēng )活受(shò(💃)u )到各(gè )种抉(🏖)择(😜)，经历各(gè )种(💦)打(dǎ )击之后，柔弱的林可(🌈)馨选择(zé )了勇(✡)(yǒng )敢面(miàn )对(🖖)。
80年代末期，生活(🈲)(huó )在宁夏(👻)矿区的小两口(🚞)陈志平(píng )（(🏞)张(⏯)(zhāng )多饰(shì )）(📗)和周淑萍（卢(😹)(lú )珊饰(shì(🗿) )）过着平凡又(🍈)安宁的生活(➰)。但(👌)嗜(shì )赌如(rú(🐃) )命的大伯哥（杜(dù )旭东(🐀)(dōng )饰）被人(⏱)追(🎥)债追到家里(👻)，紧(jǐn )接着(zhe )父亲(🚒)（郭九龙(🔎)饰）被(bèi )气死(📈)(sǐ )、母亲（(🆑)刘(😠)爱玲饰）被(🖐)(bèi )逼疯(fēng )、就(jiù )连陈志(🏠)平也在矿(kuàng )上(🙁)受(shòu )伤，加上(🗣)早年就因车祸(❔)下身(shēn )瘫(🍿)痪(huàn )的弟(dì )弟(😱)陈志军，一家(🤲)(jiā(🥉) )人全(quán )体陷(🥔)入困境，只有周(🔮)淑萍一(yī(👳) )个女(nǚ )人担(dā(🌓)n )负起了拯救(😉)家(😨)庭(tíng )的重(chó(🚅)ng )任...
青年季诺在办完母亲(💙)的丧(sàng )礼后(😗)(hò(✡)u )，动(dòng )身寻找(🙆)当年抛弃(qì )妻(🕜)子(zǐ )的渣(🈹)父，却只找到疑(📒)似(sì )小三(sā(🛀)n )的(👟)肚(dù )皮舞娘(🕥)萝拉。殊不知(zhī )这位(wèi )美(🚧)丽的小三，二十(🎮)五年(nián )前就(🙃)(jiù )是季(jì )诺要(🏟)找的「他(💾)」。萝(luó )拉当年(🔃)的绝情缺席(✅)，让(🤘)季诺(nuò )难以(🍡)(yǐ )释怀(huái )。面对(🛤)毫不知情(🦅)(qíng )的儿(ér )子，萝(⛷)拉尽管心慌(📟)，也(🍆)尽其(qí )可能(🏡)(néng )用现(xiàn )在的模样爱他(🔟)。几次(cì )互动(🌙)下(💭)来，季诺的心(🧢)逐渐柔(róu )软起(😵)(qǐ )来。重塑(🤞)自己且活得(dé(🎱) )精彩(cǎi )的萝(⛄)拉(🔒)，究竟会不会(🥩)和(hé )季诺(nuò )出柜(guì )，坦承(📥)自己的人生故(⛄)(gù )事？
Shaji Pappan and his gang try to redeem their arts club through a game of tug-o-war. Chaos erupts as the half-witted gang gets entangled in a bigger conspiracy.
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.详情
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