나만 사랑하겠다(💜)
나만 사랑하겠다(💜)던(🌙) 그(🗳)놈(🐅)이(🏂) 떠(🤐)났다. 평생 한 명의 남자만 만나온 "오선영"의 첫 실(♋)연(📉) 극복기
在贝鲁特一个街角的咖啡(🏃)店(🌞)二(😗)楼(🌈)，有一面大大的转角窗和一台电视机，一位(wèi )78岁(🥙)的(😩)退(📇)(tuì(🈯) )伍(🐨)将(🐀)军(🐱)(jun1 )和一位(wèi )81岁的退(tuì )伍军医(yī )每天早(zǎo )上都会(📙)(huì )在这里(lǐ )碰面，看着街(jiē )角车来(🍸)(lá(🔝)i )人(🎵)往(🍘)，做(💲)着填(tián )字游戏，以此对抗阿茨(cí )海默综(zōng )合症(😤)。伴(🔓)随(✖)两(📠)(liǎ(👱)ng )位(🔋)老人(rén )的玩笑(xiào )和字谜(mí )，咖啡(fēi )馆的顾(gù )客(🕣)纷(㊙)纷(fēn )登场。本片用发生在一(yī )个社(🎷)会(🕑)小(🕚)角(🤮)落16天之内的一系列事件，四两拨千斤地讨论了(🚯)人(🔐)生(🤺)、(⛹)政(🐣)治(🌱)、(👕)历史等话题；通过单(dān )场景多(duō )幕剧的(de )结构(👂)让(ràng )人感受(shòu )到老人(rén )们的孤(gū(✳) )独(🍗)，以(🚑)(yǐ(🌷) )及(➖)疾病(bìng )带来的(de )苦涩，同时映(yìng )射出黎(lí )巴嫩暴(🕋)力(📭)事(🍈)件(🐫)肆(⭐)虐(⚫)的现(xiàn )状。以(yǐ )小见大(dà )，令人(rén )回味。
这部电(dià(🐈)n )影(🔣)的故(gù )事背景(jǐng )让人不(bú )禁回(🌙)忆(💌)(yì(🔴) )起(🎏)《逃(🎖)出绝命镇》。一(yī )位黑人男性（杰森·米切尔饰(😁)）(⏳)在(🤵)周(🚠)末(🐠)的(💔)时(📵)候，因为觉得周围只有白人朋友所以觉得(dé )十(🦄)分紧(jǐn )张。当(dāng )然，这(zhè )部作品(pǐn )与(🍀)乔(🤝)丹(✒)(dā(📋)n )·(🥝)皮尔(ěr )去年那(nà )部符合(hé )大众口(kǒu )味的《逃出(🌙)绝(🥀)(jué(😱) )命(😂)镇(👧)》不(🐑)同。智利导演塞巴斯蒂安·席尔瓦(wǎ )是一个(gè(🏯) )古(🖱)怪的(de )人，他(tā )的电影(yǐng )如《女(nǚ )仆(🦁)》、(👗)《水(🐗)晶(🕥)(jī(🍜)ng )仙女》、《肮脏的婴儿》都倾(qīng )向于剑走偏锋，故事(🤣)开(🥁)始(🍥)会(🚩)有(🏾)点(🎶)怪异，而之后则会变得更加怪异。这种风格对于《周(🍞)(zhōu )末生日(rì )游》意(yì )味着什(shí )么呢(🚻)？(❣)还(🐵)不(🍂)知(zhī )道。但(dàn )我们非(fēi )常期待(dài )这种不(bú )确定性(🐥)(xì(🕣)ng )，况(🐄)且(🌔)(qiě(📀) )演(🎛)员阵(zhèn )容中还有克里斯托弗·阿伯特(tè )、迦(🤽)勒(🕯)(lè )兰德里(lǐ )·琼斯(sī ),迈克尔(ě(📄)r )·(👉)塞(🎸)拉(🌠)(lā(🍌) )和安·道德。
转校生(shēng )李童（曹佑宁 饰）因帮(🦉)助(⚓)被(📦)欺(🍮)(qī(🎽) )负(📔)的同学刘星夜（郑家伦 饰）而遭到校霸薛小猫(🤣)（王宥钧 饰）记恨，和刘星夜一起(🈷)成(💏)(ché(🐛)ng )为(🌘)被校(xiào )霸欺负(fù )的对象(xiàng )。同班(bān )女生夏(xià )一安(💕)（(🕵)李(💦)婷(😐)婷(🔼)(tí(🍀)ng ) 饰）钦(qīn )佩李童(tóng )的勇气(qì )，暗中(zhōng )施以援(yuá(🤮)n )手(😽)，三人成为好朋友，李童渐(jiàn )渐对(👳)一(💏)(yī(🧐) )安(🌸)萌(🥃)生(shēng )了爱意(yì )。然而(ér )薛小猫(māo )胁迫刘(liú )星夜(😷)将(🌊)(jiā(🙍)ng )李(🚸)童(💾)和(🤱)(hé )一安骗到天台恶作剧，意外使(shǐ )一安坠楼身亡(🍋)。无法挽救一安的愧疚、愤懑和痛(📳)苦(💚)折(👨)磨(📛)着李童，他想起都市里流传的(de )重生电(diàn )梯传闻(wé(🚥)n )，通(🏚)过(🎃)(guò(🍃) )神(👀)秘(🌫)仪(yí )式阴差(chà )阳错获(huò )得了重(chóng )生。重(chóng )生电(🏯)梯(tī )内究竟(jìng )发生了(le )什么？重生(👫)的(🛬)李(🍫)童(🌥)能(🚭)否阻止悲(bēi )剧的发(fā )生……
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
Jean Barreau leads a spiritual commune on the countryside and promises his followers a chance for a second life. When their doubles arrive at the house, the followers learn that Jean meant his promise of a second life quite literally.
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