查理(lǐ )和布希這兩(liǎng )名熱(⛸)(rè(📆) )衷(🖨)靈(♍)異事件(jiàn )的追(zhuī )鬼狂(🛑)熱(🎞)者(🚔)，只要哪裡鬧鬼就(jiù )能見(jià(📬)n )到(🥢)他(📢)們的身(shēn )影。兩人對於全(📢)美(⭕)最(💶)(zuì(🈲) )凶的靈異地點「悲慘山」公路深(shēn )感著迷，當然不(📟)(bú(⛓) )可(🚫)能(♊)(néng )輕易放過這(zhè )個捕(bǔ(🍖) )捉(📚)鬼影的難得機會。而兩人(rén )在(🔺)抵(🍎)(dǐ(🌰) )達當地後，也接(jiē )連目睹(🏦)各(🔒)種(😱)(zhǒng )離奇(qí )詭異的超自然現(xiàn )象。
電影劇情是(shì )一部勵(🚰)志(🍃)愛(⤵)情(🚼)故(gù )事，講述男女主(zhǔ )角(🔂)兩(🕷)(liǎng )人因一次交(jiāo )通意(yì )外(🧠)，女(🛸)方(⏸)失去記憶，男方因(yīn )此有(👤)(yǒ(🕦)u )預(🚱)知(👀)未來能(néng )力。吳卓羲表示：「我哋呢套係一部(bù )愛情(✍)至(🍣)上(🤐)，又好(hǎo )凄美又浪漫嘅愛(🐀)(à(☕)i )情片(piàn )，男女之間(jiān )又唔(én )係(👚)牽(🍜)涉(🉑)床上戲嘅，溫馨鏡頭(tóu )嘅(🖌)床(🍤)(chuá(🔁)ng )戲係有，都(dōu )要睇(dì )劇本睇下有(yǒu )冇需(xū )要攬呀錫呀(🌀)，其(🏜)(qí(🛶) )實(🌹)情侶關係必須(xū )要有嘅(🎫)，如(🔏)果唔(én )係觀(guān )眾唔知你係(🍲)(xì(👶) )情(🔧)侶(lǚ )。」
On a trek to find the world's rarest tree, Dylan and his friends descend into harsh ravines and canyons. As the wilderness closes in on them they come face to face with hard truths about friendship, unrequited love, and the consequences of letting go of the past.
影片以(yǐ )一个(gè(🧢) )在(🏜)隧(👕)道(🌵)下被发现的十几岁女(nǚ )孩的(de )尸体打开。Arun Kumar（Vishnu Vishal）是一位有(❕)抱(🐄)负(🌁)的(de )年轻电影制作人(rén )。在(🤠)他(🕔)的追求中(zhōng )，他收集了他在(zà(🍨)i )卧(🧝)室(🈴)(shì )里存放的各(gè )种故(gù(👺) )事(❕)和(🈯)精神病患者和连环杀手的文(wén )章。对他的(de )企图(tú )和家(🖐)庭(⏫)限(🌟)制(📻)(zhì )的不(bú )断拒绝迫使他(🔟)放(🐈)(fàng )弃了他的梦想，并在他的(🌲)姐(🐦)夫(🕚)Doss（Ramdoss）的(de )帮助下担任(rèn )警(🆗)察(🥉)(chá(📔) )分(🦎)巡官的工(gōng )作，他自己就是一名警察。随后(hòu )Arun搬到(dào )了(⬜)Chennai并(🥢)与(🧀)他的(de )妹妹(mèi )Kokila（Vinodhini Vaidyanathan）住在一(💊)起(😉)），多斯和他们十(shí )几岁的女(🤶)儿(😿)Ammu（(🖍)Abhirami）。然后，一名女(nǚ )学生(shē(♐)ng )被(⬅)一(📵)名心理(lǐ )杀手(shǒu )残忍地绑架并杀害。Arun发现这次死(sǐ )亡(🧀)与(👃)之(🔹)前(❣)发(fā )生的(de )事件有相似(sì(❔) )之(💓)处(chù )。尽管他试图让(ràng )高级(🍓)官(🏩)员(🙌)相信这(zhè )一点，但他的努(🚋)(nǔ(🎣) )力(🔠)却(🤴)(què )徒劳无功。在恋(liàn )童癖的遭遇(yù )中，他被暂停了一段(💊)时(🙏)间(✌)。然后(hòu )Arun决定(dìng )自己搜索(❄)。他(🐒)发(fā )现一名女魔术师(shī )被发(👖)现(🚾)是(🙁)残忍杀(shā )害女学生的精(😸)神(📆)(shé(📡)n )病患者。在连环(huán )杀手(shǒu )的生命中发(fā )生了(le )一系列事(🏇)件(🦖)。这(🕯)位(💟)女士是钢琴老(lǎo )师和魔(⬇)术(🔽)师(shī )。她(tā )的名字叫玛(mǎ )丽(😮)费(🔔)(fè(♒)i )尔南德斯。她的(de )儿子名叫(🎼)克(🔚)里(🐭)斯(🥄)(sī )托弗，他的荷尔(ěr )蒙不(bú )平衡（维尔(ěr )纳综(zōng )合征(👑)）(🦆)这(💋)使(shǐ )他看(kàn )起来老了。那(🥓)个(🔉)有柔软角落(luò )的女(nǚ )孩对他(📎)的(🆚)爱(🌇)(ài )的拒(jù )绝让他感到愤(💚)怒(📝)(nù(🕑) )。她与他保持距(jù )离使他的心灵思(sī )想更加糟糕。还(há(✒)i )揭(👬)示(🍈)(shì(🏸) )了该病症的(de )患者(zhě )无能(🤠)为(🛫)力。所有的学生都开始在(zà(⛔)i )学(💩)校(🌏)虐待和(hé )取笑(xiào )他。这使(〽)他(👗)(tā(💔) )在(🏺)精(jīng )神上软弱和沮丧(sàng )。第二天，他决(jué )定在母亲的帮(🏘)助(🔘)(zhù(🕟) )下以(yǐ )残酷的方式(shì )杀(😥)死(👤)(sǐ(🔋) )这个女孩。他和(hé )他的母亲(📭)一(🏅)起(😬)被捕。阿伦向(xiàng )当时(shí )的(👍)副(🌇)巡(😒)视员(yuán )Rajamanickam警察(chá )求助。他收集有(yǒu )关杀手的某些信(xìn )息(✡)。人(🏿)们(🏑)认(🛤)为这(zhè )个男孩和他的母(🐪)(mǔ(👎) )亲发(fā )生了意外，可能(néng )已(🖍)经(🍥)死(😣)亡。但就在Arun离开Rajamanickam的房子后(🍇)(hò(⛄)u )，那(💧)里(💔)出现(xiàn )了凶(xiōng )手，他杀死(sǐ )了警(jǐng )察。阿伦是徒劳(láo )的(👈)。但(🥞)是(😅)他收集(jí )的照片显示出(🤟)令(🥚)(lì(🚊)ng )他震(zhèn )惊的事情 - 连(lián )环杀(🛠)(shā(😤) )手(🥈)不是女人(rén ) - 儿子(zǐ )，现在(🎲)伪(🐁)装(😇)成他的母亲 - 残忍(rěn )地杀(shā )害了学校的(de )女孩(hái )。经过一(🗿)系(🎠)列(🔛)的(📻)(de )事件，阿伦不知(zhī )何故设(🎅)法(🙎)与杀手(shǒu )面对面。最后，他能(👧)(né(🥘)ng )够(❇)杀死精神(shén )病患(huàn )者，并(🐎)希(🦉)望(🎳)他(💎)有机会参加电影。
“假如音乐(lè )是爱(ài )情的食粮，请继(jì(🎩) )续(💟)演(⬜)奏吧！”以(yǐ )配乐著称并为(😥)莎(➡)(shā(🚖) )士比亚爱情喜剧(jù )《爱的徒(🍔)劳(♎)》及(🤽)(jí )《爱(ài )的胜利》（即《无事(🎩)生(🌵)非(🐗)》）注入无限活力(lì )的超(chāo )人气导演克(kè )里斯(sī )托弗(🤓)•(➿)拉(👠)斯(🌚)康贝(bèi )（Christopher Luscombe）携创作团队(🏿)(duì(🐑) )重返埃文河畔斯(sī )特拉福(😫)德(⏮)的(📎)皇家(jiā )莎士(shì )比亚剧团(🥊)，执(🗻)导(📣)(dǎ(🕰)o )莎翁另一部滑稽(jī )又心酸的单相思爱情故事：
Brij Mohan (36), a hosiery shop owner in a busy Delhi market, desperately wants to change his life. He is fed up of his ball-crusher wife and mounting debts. In order to escape his wretched life, he changes his appearance and adopts a new identity as Amar Sethi, but ends up committing a botched up murder. He runs off with his young girlfriend, hopeful of making a new beginning. Instead, as luck would have it, he finds himself trapped in a web of his own Karma.
在贝(🤐)(bè(🔷)i )鲁(👴)特一个街(jiē )角的(de )咖啡店(🗣)二(🚭)楼(🧗)，有(yǒu )一面大大的转角(jiǎo )窗(🦇)和(🍽)一(🥥)台电视机(jī )，一位78岁的退(🚩)伍(♓)(wǔ(🦁) )将军(jun1 )和一位81岁的(de )退伍(wǔ )军医每天早上都会在这里碰(👠)(pè(😒)ng )面(🙆)，看(🤞)着街角车(chē )来人(rén )往，做(🍹)着(⤵)填字游(yóu )戏，以此对抗阿(ā(🚫) )茨(🌞)海(🖤)默综合症。伴随两位老人(✍)的(🐠)(de )玩(🐧)笑(🏋)(xiào )和字谜，咖(kā )啡馆(guǎn )的顾客纷纷登场(chǎng )。本片用发生(♎)在(🛒)一(🌟)个社会小(xiǎo )角落(luò )16天之(🕷)内(🛴)的(🏣)一(yī )系列(liè )事件，四两拨千(🐔)(qiā(📪)n )斤(🚔)地讨论了人生(shēng )、政治(🏿)、(🖍)历(🏄)史等(děng )话题；通过单场(chǎng )景多(duō )幕剧的结构(gòu )让人(🐺)(ré(🎦)n )感(👝)受(🌀)到老人们的孤独，以及(jí(🍪) )疾(🥦)病(bìng )带来的苦涩(sè )，同(tóng )时映(🀄)射(🐧)出黎巴嫩(nèn )暴力事件肆(🏧)虐(🌽)的(👃)(de )现(📒)状。以小见大(dà )，令人回味。
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.
